MUSICAL TRAININGAwakening Young people’s musical publications Cours complets Note and rhythm reading Sung reading – Voice training Ear training Analysis - Theory Harmony - Improvisation Musical education Musical and instrumental psycho-pedagogy
INSTRUMENTSPiano Harpsichord Organ, Harmonium Ondes Martenot Flute Clarinet Saxophone Oboe English horn Bassoon Horn Trumpet Cornet Trombone Euphonium, Saxhorn, Tuba Brass ensemble Violin Viola Cello Double bass Guitar Harp Celtic harp Percussion Accordion Chamber music Drums Brass band Dance Books on music – Opera librettos
ORCHESTRASymphonic music String orchestras Wind ensembles 2-5 soloists with orchestra Diverse ensembles of 11-20 musicians Mixed music and acousmatic music Solo voices with ensemble or orchestra Choruses with ensemble or orchestra Solo voices, choruses with ensemble or orch. Cantatas, Masses, motets, oratorios, requiems Musical comedies or fairy tales, operettas Operas Chamber operas Comic operas, opera buffa Ballets Music and audiovisual Youth orchestras Youth string orchestras Children’s operas Light music
Cotage: GB9516 - Recommended price excl. VAT: € 20,18
The goal of this method is to make the young clarinetist take part of his/her learning, through works from original repertories in accordiance with instrumental acquisitions, and relying on fundamental notions of musical training background. Three experts worked out this...
Cotage: GB8839 - Recommended price excl. VAT: € 15,31
Musiques Plurielles 5e constitue la suite directe du volume du 6e. Son fonctionnement est identique : - six questions transversales - directement issues des programmes - sont traités par deux séquences complètes d’enseignement ; - pour chaque séquence s’articule...
Cotage: GB9469 - Recommended price excl. VAT: € 14,28
Cotage: GB9290 - Recommended price excl. VAT: € 31,80
Beginner Flute method. The Follow my steps flute guide is the result of a long and fruitful pedagogical reflection. As a teacher, the author often comes across very young students desirous to learn to play the flute. Ans so the idea of creating a simple, age-specific pedagogical...
Cotage: GB9318 - Recommended price excl. VAT: € 27,51
This method is intended for young beginners, but will also benefit the young at heart of all ages. Embarking on a musical adventure, the beginner harpist will meet friends, play games, follow the seasons and sing a variety of French folk songs... together with inquisitive...
Cotage: GB9181 - Recommended price excl. VAT: € 35,99
As a practical teaching and learning tool for beginners of all ages, oriented toward a gradual integration of the harmonic language of jazz, the present volume includes a wide variety of melodies and chord changes, providing students and teachers with opportunities to approach...
Cotage: GB9182 - Recommended price excl. VAT: € 20,18
Texts and rhythms to be spoken, sung, played and clapped. This book contains different forms of rhythm readings : - indicated rhythms with "alternate hands" solo voice. - rhythmic prosody with spoken solo voice. - rhythmic prosody with a rhythmic accompaniment line to clap...
There was a time – and not all that long ago – when composers fell into highly categorised frameworks: career, predilections, and aesthetic choices met clearly identifiable norms as if the trajectories were marked out in advance. But changes in our society and successive stylistic questions have modified the order, resulting in a situation that is doubtless uncomfortable for timorous followers but highly stimulating for intrepid minds of which Oscar Strasnoy is an unusual representative, sometimes disconcerting and, in the final analysis, quite fascinating.
Let us listen to him decipher the path: ’I was born into a family of agnostic Jews fleeing European barbarity and misery. They were seeking salvation in a rich, modern country like the Argentina of the first half of the 20th century. At the end of my adolescence, I had to make the decision to abandon Argentinian provincialism for the modernity and richness of Europe’.
Let us clarify: Oscar Strasnoy was born in Buenos Aires on 12th November 1970; his Russian lineage proclaimed; an acknowledged musical heritage (his ’biological’ father a violist, an uncle and an aunt who were composers); and gratitude towards the adoptive country going through a period in which cultural life was particularly intense (but this was...
QIGANG CHEN - INSTANT D’UN OPÉRA DE PÉKIN II
World premiere 2014/09/06 - Shanghai, China
ONDREJ ADAMEK - KORPER UND SEELE
24 voix, airmachine et Orchestre symphonique
World premiere 2014/10/19 - Donaueschinger, Germany
CONGRÈS DE L’A.P.F.M.
20, 21 et 22 octobre 2014 - Conservatoire à Rayonnement Régional, Aubervilliers...
LAURENT CUNIOT - JUST BEFORE
World premiere 2014/10/24 - Aberdeen, Ecosse
GUILLAUME CONNESSON - CYTHÈRE
pour quatre percussionnistes et orchestre
World premiere 2014/10/25 - Lille, France
LAURENT CUNIOT - LES COULEURS SILENCIEUSES
Flûte, clarinette et piano
World premiere 2014/11/02 - Roche Guyon, France
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