MUSICAL TRAINING
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INSTRUMENTS
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Symphonic music String orchestras Wind ensembles 2-5 soloists with orchestra Diverse ensembles of 11-20 musicians Mixed music and acousmatic music Solo voices with ensemble or orchestra Choruses with ensemble or orchestra Solo voices, choruses with ensemble or orch. Cantatas, Masses, motets, oratorios, requiems Musical comedies or fairy tales, operettas Operas Chamber operas Comic operas, opera buffa Ballets Music and audiovisual Youth orchestras Youth string orchestras Children’s operas Light music
Note and rhythm reading - Musical training
Cotage: GB9928 - Recommended price excl. VAT: € 11,28
Cet ouvrage s’adresse à toute personne, enfant ou adulte, souhaitant apprendre à lire les notes de musique de manière approfondie et autonome, quel que soit son instrument. Une grande partie du volume aborde la lecture relative par intervalles avec une organisation...
Complete courses - Musical training
Cotage: GB9600 - Recommended price excl. VAT: € 21,20
Les acquisitions de A Tempo volume 9 correspondent aux programmes des classes de cycle 3 de Formation Musicale, s’effectuant souvent sur deux ans. C’est pour cette raison que nous vous proposons deux séries 9A et 9B, toujours conçues pour chacune avec un volume “Oral”...
Instrument and music training methods - Piano
Cotage: GB9915 - Recommended price excl. VAT: € 22,93
Tout au début, il y a l’envie de jouer du piano... On s’imagine assis(e) devant son instrument, nos doigts révélant les plus belles sonorités du clavier pour notre propre plaisir ou pour celui de ceux qui écoutent... Dès ce moment, on s’interroge sur la façon...
Complete courses - Musical training
Cotage: GB9787 - Recommended price excl. VAT: € 21,20
Ma Boîte à Musiques est un ouvrage complet pour une première année d’enseignement musical. Il aborde toutes les notions par l’apprentissage de chansons traditionnelles ou originales et la découverte d’un répertoire varié. Afin de permettre à l’enfant de s’immerger...
Picture ©: Guy Vivien
Pascal Zavaro
Ask Pascal Zavaro about the references and inspiration generating or regenerating his music, and he may very well joke his way out by stating a fascinated search for a musical equivalent to Terry Gilliam’s Brazil. Adding that this phantasmagorical movie, with its world of poorly maintained machines and monster flex ducts, reflects a broken and heartbreaking humanity, and that his music is boosted by all the slapstick energy and bitterness.
He could also mention Austrian moviemaker Ulrich Seidl’s Import/Export, a movie that is “a dark, bleak vision of our modern world, showing us what survives of a crushed yet struggling humanity”. If we add sculpture and painting to these influences (Zavaro’s father is a renowned painter), his frequent references to César, Tinguely or Francis Bacon will definitely not appear as mere name-dropping pose. Bacon’s distorted, off-balance figures inspired him Three studies for a crucifixion, for chamber orchestra. When the piece was premiered at Radio-France in 2004, a carried-away audience was swaying along to its outbursts of wistful swing. For Zavaro’s music is something you feel. It has a tactile quality. It is a beat pulse, the echo of a dance (hear this fleeting boogie rhythm? hear that bit of mambo?), the itching of a battery of rhythms,...
OSCAR STRASNOY - ”D’AMORE”
pour viole d’amour et ensemble instrumental
World premiere 2018/10/20 - Donaueschingen, Germany
MARTÍN MATALON - SPIN
pour 2 pianos et 2 percussions
World premiere 2018/11/21 - Perpignan, France
PHILIPPE LEROUX - L’ÉPAIS
pour ensemble instrumental
World premiere 2019/01/22 - Paris, France
GRACIANE FINZI - FANTAISIE CONCERTO
pour alto et orchestre
World premiere 2019/02/15 - Paris, France
ONDREJ ADAMEK - SHENG CONCERTO
World premiere 2019/02/17 - Köln, Germany
PHILIPPE LEROUX - NÉVÉ(S)
Concerto pour percussion et orchestre
World premiere 2019/03/24 - Québec, Canada
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