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Les Sens en éveil. À travers la musique et la danse

A travers la musique et la danse

Nathalie BARBIER, Joëlle GASSELING

Having been able to bring together music and dance in the same class, without one ever taking precedence over the other, the authors wanted to share the fruits of their experience, the primary goal of course being the child's sensory development and fulfillment.

This book is based on their feelings and their experience as teachers: it is a support for personal research. Examples are offered, with the hope that they will lead to the addition of a creative personal touch.

The course schedule is progressive, with each period divided into several lessons up to the summary. The course's progression also depends on its configuration: the number of students, the presence of a piano accompanist or not, etc.

Logos indicate the dominant theme of the exercise: hearing, graphics, body language, singing, improvisation, orchestra. A harmonic grid or recording accompanies the songs.

The CD includes the various musical excerpts corresponding to the lessons.

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Details

Instrument family Musical training
Catalog classifications Awakening
Instrument nomenclature Avec CD
Publisher Éditions Billaudot
Collection CRESCENDO
Collection management DAUCHY Jacques, GAULTIER Emmanuel, HOLSTEIN Aline
Cotage GB8077
Languages French
Cycle / Level Early years
Target audience Children, Teacher
Copyright year 2009
EAN code 9790043080770
Audios Audio CD
FM-specific content Sensory and physical creativity, Improvisation
  • Les Sens en éveil. À travers la musique et la danse Visual

Description

Having been able to bring together music and dance in the same class, without one ever taking precedence over the other, the authors wanted to share the fruits of their experience, the primary goal of course being the child's sensory development and fulfillment.

This book is built on their feelings and their experience as teachers: it is a support for personal research. Examples are offered, with the hope that they will lead to the addition of a creative personal touch.

The course schedule is progressive, with each period divided into several lessons up to the summary. The course's progression also depends on its configuration: the number of students, the presence of a piano accompanist or not, etc.

Logos indicate the dominant theme of the exercise: hearing, graphics, body language, singing, improvisation, orchestra. A harmonic grid or recording accompanies the songs.

The CD includes the various musical excerpts corresponding to the lessons.