Le Pont de pierre
4 mélodies sur des textes de Michel SERRES
Details
| Instrument family | Vocal music |
| Catalog classifications | Voice and piano |
| Instrument nomenclature | voix et piano |
| Total duration | 00:12:35 |
| Publisher | Éditions Billaudot |
| Cotage | GB10678 |
| Total number of pages | 24 |
| Languages | French, English |
| Cycle / Level | concert |
| Musical style | Contemporary |
| Directory type | Original work(s) |
| Copyright year | 2025 |
| EAN code | 9790043106784 |
Description
Le Pont de pierre is a cycle of four melodies for voice and piano based on texts by the philosopher.
The first, which gives its title to the collection, flirts with functional tonality; the minor colors give it a melancholy that a repeated knell in the bass draws towards the funereal.
In "La vie passe" (Life Passes), the bells are omnipresent, with their effects of inharmonicity; marked morendo, the second part is bathed in a feeling of inevitability.
"Je crois, je n'y crois pas... " is the only melody to favor major colors. A syllabic writing seemed to me the most suitable to render this poetry of exactitude.
By far the longest of the melodies, "Soyez le bienvenu" opens with a solemn, hieratic canon, between voice and piano. The movement amplifies, thanks to an increasingly accelerating rhythmic coinage. Major and minor interfere with each other, before the piece ends in a climate of resignation.
| 1. « Le Pont de Pierre », sur un texte extrait de Biogée (éd. Le Pommier) : 2 min 30 s |
| 2. « La vie passe », sur un texte extrait de Biogée (éd. Le Pommier) : 2 min 55 s |
| 3. « Je crois, je n’y crois pas… », sur un texte extrait de Relire le relié (éd. Le Pommier) : 1 min 40 s |
| 4. « Soyez le bienvenu », sur un texte extrait de Le Parasite (éd. Grasset) : 5’ min 30 s |