Sonatine, op. 54

This work is a kind of reverie filled with the nostalgia of a childhood that never existed.
The performers will have to simply convey the hypnotic and unreal aspect, avoiding a performance that is "too expressive".
It is possible to refine or even modify the nuances, articulations and tempi, as long as this does not contradict the aesthetics of the work.
In the piano part, the pedal indications are very succinct, and the pianist will be able to engage in a more nuanced and rich use of the instrument, using the soft pedal from time to time, for example.