Chamber nôise I
Original contemporary work for cello and double bass.
Written based on Nôise for large complex.
This piece has a theatrical aspect. It is inspired by Japanese theatre (Noh, Bunraku, recitation of sutras) and includes dramatic effects. Its performance requires extreme concentration throughout.
Read moreDetails
| Instrument family | Chamber music |
| Catalog classifications | Duets |
| Instrument nomenclature | Musique de chambre |
| Total duration | 00:15:30 |
| Publisher | Éditions Billaudot |
| Cotage | GB9061 |
| Musical style | Contemporary |
| Copyright year | 2011 |
| EAN code | 9790043090618 |
Description
Percussive sounds or dampened slap pizzicati are often introduced by a particular gesture (“raise left arm”). Performed in very slow motion, the gesture follows a natural trajectory, accumulating and concentrating energy in a manner reminiscent of sumo wrestlers preparing for a bout. Mutual awareness (not any cueing whatsoever) ensures that the musicians play the next entry in perfect sync.
At the beginning of Part II, both instrumentalists sing a text each, one in Japanese, the other in French, but the meaning is the same: Today… the duet… plays a tragic… love… story.The vocal expression should be quite unassuming and even, characterized by an intimist tone - more like a “half voice”, heard from afar. Facial expression remains totally neutral, blank and inscrutable.
Later on, the recitation of the “Heart sutra”, a major Buddhist text, includes Chinese and
Sanskrit words pronounced after the Japanese fashion: Shari-shi shiki fui-ku, ku fu-i shiki, shiki sokuze ku, ku soku-ze shiki ju so gyo shiki yaku-bu nyo ze.